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The Gerasene Demoniac: Following context

 —  James Oakley

This follows on from my previous post: The Gerasene Demoniac: Prior Context.

The story of the Gerasene demoniac is followed by the integrated accounts of the raising of Jairus's daughter to life, and the healing and cleansing of the woman with a long-standing haemorrhage. These two accounts appear to be unrelated to each other, although the fact that Mark has interwoven them tells us that he sees a connection. Mark always weaves stories together for a reason.

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Interpreting the parables

 —  James Oakley

Mark 4:10-12 falls between the telling of the parable of the sower (Mark 4:1-9) and its explanation (Mark 4:13-20).

In these verses, Jesus explains why he used parables to teach. Parables act as a filter, because the amount gleaned varies according to whether the hearer wishes to put the teaching into practice or not. Merely listened to with disinterest, they will remain at arms length; however, the person who wishes to live out what Jesus teaches will understand them enough to do so.

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Parable of the sower: A bumper crop

 —  James Oakley

The parable of the sower, whilst cautioning that the responses to the word will vary, is overall designed to encourage us to expect a good response.

I've noted before that the word for "seed" in Mark 4 is singular in verses 4, 5 and 7, but plural in verse 8. This is all the more striking when you consider that "seed" is a collective noun in Greek as much as in English, "seeds" is bad grammar. Seed may fall on the path. Seed may wither in shallow soil. Seed may be choked by weeds. But seeds will flourish.

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Psalm chants

 —  James Oakley

Anyone wanting to learn how Anglican Chant works as a musical style for the Psalms could look at a couple of introductory webpages.

There is a helpful one on the BBC website at http://www.bbc.co.uk/dna/h2g2/A15716595.

There is a helpful one on Wikipedia at http://en.wikipedia.org/wiki/Anglican_chant, where I particularly like the example given - with a colour-coded musical stave that can be matched up to the text of part of the Magnificat printed in the same colours. Nice.

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The need to love one another

 —  James Oakley

David Jackman is spot on in his analysis of 1 John 4:13-21. In his commentary in The Bible Speaks Today series, the penultimate paragraph discusses the notion that we can love God, and yet not love our Christian brothers and sisters. He says this:

Is this not one of our greatest sins as Christians today? We may talk a lot about loving God, we may express it in our worship with great emotion, but what does it mean when we are so critical of other Christians, so ready to jump to negative conclusions about people, so slow to bear their burdens, so unwilling to step into their shoes? Such lovelessness totally contradicts what we profess and flagrantly disobeys God's commands. It becomes a major stumbling-block to those who are seeking Christ and renders any attempts at evangelism useless. In many churches and fellowships we need a fresh repentance on this matter, a new humbling before God, an honest confession of our need and a cry to God for mercy and grace to change us. (Pages 131-132)

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Enjoy the metaphors in Psalm 61

 —  James Oakley

They are not uncommon metaphors in the Psalms, but one after the other they offer a wonderful barrage of imagery portraying the security, shelter, help and support that God's people can find in their God. This was the shelter that Jesus availed himself of, first and foremost, and by extension is available to all who are in Christ.

  • Rock
  • Refuge
  • Tower
  • Tent
  • Wings

Psalm 61:2-4:…
2. From the end of the earth I call to you when my heart is faint. Lead me to the rock that is higher than I,
3. For you have been my refuge, a strong tower against the enemy.
4. Let me dwell in your tent forever! Let me take refuge under the shelter of your wings! Selah

Actually, I think all of those images are Exodus metaphors. I'm not sure about refuge, but the others are certainly images that God used of his protective relationship with his people in the wilderness. So these are not abstract, but concrete pictures, and they are pictures that are rooted in salvation history.

Anyway: Read. Chew on. Enjoy. … Oh - and take refuge!

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Singing Psalm 100:4-5 in Hebrew

 —  James Oakley

We've been having a most enjoyable, instructive and edifying Lent Course here in Kemsing. John Goulding, a retired Anglican clergyman, has been taking the sessions, leading us through some of the Psalms. The feel of the evenings has been pleasantly relaxed, and as we've wandered together through the Psalter we've noticed all manner of things that has brought those Psalms to life in new ways. Many, many thanks to John for taking this course so well for us all.

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Jeremiah's 6 key words

 —  James Oakley

I've just read Palmer Robertson's treatment of the book of Jeremiah in his The Christ of the Prophets. (It comes on pages 267-282). What a treat!

Robertson shows how, "as with Hosea, Amos and Isaiah, the principal message of the prophet finds its summation at the time of his call to the prophetic office." (268). In Jeremiah's case this means, amongst other things, 6 key verbs (4 negative and 2 positive ones).

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